New Music

A Perfect Sunday

Eugene Friesen & Joel A. Martin

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A Perfect Sunday

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Exquisitely graceful, beautiful, and innovative music making by two seasoned masters. Mixed and mastered by Grammy-winning engineer Tom Eaton.

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    After a Dream

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    Anne Rising

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    The Blond by the Pond

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    Causa Ne Nana

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    The Desert and the Parched Land

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    The Ghost in My Heart

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    Mbira Pizz.

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    Haunting Song

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    Sem Voce (Without You)

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    A Perfect Sunday

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I absolutely love this album!!! I’ve listened again and again. Your playing is superb, as always, and I’ve rarely heard jazz piano played as seamlessly and expressively as this. The album makes every single day a Perfect Day.”

— Kathryn Kaye - pianist/composer/recording artist

The Essential Collection

Eugene Friesen

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Grammy Award-winning cellist/composer Eugene Friesen's most requested recordings from four solo albums: The Song of Rivers, In the Shade of Angels, Sono Miho, and Colorful Transitions.

Guests include Howard Levy, Tim Ray, Paul Halley , Glen Velez, Chuck Loeb and Jody Elff.

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Lulle Lullay

Elizabeth Rogers & Eugene Friesen

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Preview track from a Christmas album in progress! A beautiful version of "Coventry Carol" featuring the crystalline voice of Elizabeth Rogers with an ensemble of 15 cellos arranged and performed by Eugene Friesen.

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Sheet Music

Slap - etude for cello
  • Slap - etude for cello
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SLAP is an etude designed to activate a couple of left hand techniques that bring rhythmic color and texture into accompanying on the cello, namely, a left hand slap on the fingerboard and the use of muted pizzicato notes for conveying the consistent flow of the pulse. Download includes a page of notes and tips.

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Stained Glass Morning
  • Stained Glass Morning
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Originally an improvisation in the Cathedral of St. John the Divine in New York City, this contemplative piece from Missa Gaia/Earth Mass by the Paul Winter Consort is a dramatic 4-minute cello solo featuring unique use of natural harmonics.

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Celloman Blues - 12-bar "head"
  • Celloman Blues - 12-bar "head"
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This is the first twelve bars - the "head" - that I play twice at the beginning and once at the end of my blues improv. This pizzicato "head" is one of many possible variations on a blues progression and my improv follows the 12-bar phrasing and progression.

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MARACAIBO: String Quartet
  • MARACAIBO: String Quartet
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"MARACAIBO" is an uptempo piece in 6/8 featuring beautiful melodies, lush harmonies, contrasting sections, with intensely polyrhythmic interplay between the parts. Scored for string quartet: V1, V2, Vla, Vc.

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MARACAIBO: String Orchestra
  • MARACAIBO: String Orchestra
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"MARACAIBO" is an uptempo piece in 6/8 featuring beautiful melodies, lush harmonies, contrasting sections, with intensely polyrhythmic interplay between the parts. Scored for V1, V2, Vla, Vc, and Bass with optional harp/pno/gtr/mandolin

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